SANF May 2016 : Page 60

Playing CPA With MFAs

Lamar Anderson

Skyrocketing rents. Unaffordable studio space. Mountains of student loans. The life of the Bay Area artist is not for the easily discouraged. Here, eight artists walk us through their taxes to explain how they're hanging on.

To be a san Francisco artist is to be a walking contradiction. It’s entirely possible to have gallery representation and a pedigreed exhibition history and still struggle to feed yourself. In a place where every startup is eager to name its price, many Bay Area artists devote their lives to making objects, environments, and performances that just don’t sell that well, or even can’t sell—on purpose. Still, they get up every day and do it anyway. Which got us wondering: How exactly are artists hanging on? So we asked eight artists to let us in on how their financial lives actually work by pulling out their most recent tax returns (some only had 2014 forms available at press time). It’s a diverse group—varied in gender, race, economic background, and life experience—save for age, which ranges only from 26 to 42. The older artists we contacted all declined, perhaps because they have lawyers? We jest. If The folks you’ll meet in the following pages survive by cobbling together livelihoods in adjunct classrooms, a bike repair shop, a tech company, and, very rarely, their own studios as their own bosses. Most consider themselves lucky to devote just 10 to 15 hours per week to art. Most regularly get asked to donate pieces or work for free. Some would probably make more money working full-time at Starbucks. And yet: None of them would trade it for your job.

Chris Fraser, 37

lives IN: Rockridge

gallery: Wendi Norris

day JOB: Full-time adjunct, split between Mills College in Oakland and Sierra College in Rocklin

2014 INCOME: $35,883

WHERE HIS TIME GOES: Teaches four days per week; spends one full day in studio (plus thinking time on the road) MONTHLY RENT: $1,000 On a $ 2 ,0 0 0 one-bedroom shared with his partner

MONTHLY STUDIO RENT: $850 per month (as of November 2014)

DEBT: Around $14,000 in credit card debt, largely from shows in 2012-2013 setback: Sinking $8,000 into an artwork commission that was never realized

LUCKY BREAK: Fleish-hacker Foundation awarded a $25,000 grant, spread over two years

HOW CLOSE TO THE EDGE HE'S living: Feels lucky to be scraping by

SAVING GRACE: A few months ago, his partner began covering nine-tenths of the rent

WHY NOT HIT THE EJECT button? Sometimes ponders decamping to Antioch, but can't abide the food or the cultural vacuum

mantra: "There is no downtime. You learn to value all time."

PORTRAIT OF THE ARTIST AS AN ADJUNCT ON UNEMPLOYMENT

As an adjunct at two colleges, Fraser says, he was carrying "a full load for somebody making less than half the salary of a full-time professor." To that juggling act, add a 210-mile round-trip commute to Rocklin's Sierra College— a schlep Fraser made twice a week. To its credit, California recognizes the plight of adjuncts. But only in an exasperatingly bureaucratic way: by allowing them to file for unemployment between semesters, under a 1989 California Court of Appeal ruling. Fraser just about breaks even on art making (what he spends on materials he roughly makes back in honoraria and fees), so he counts on adjuncting to pull him through: "I'm relying on teaching to make sure the rent gets paid and the food gets eaten."

Jeremiah Jenkins, 35

lives IN: Richmond

day job : Teacher at an Oakland middle school; online learning instructor at Evergreen Valley College 2014 INCOME: $29,684

WHERE HIS TIME GOES: Four days per week at school, one day at home with his daughter; works in the studio about 10 hours per week

MONTHLY RENT: $1,600 (shared with his wife), though recently it hit $1,720 studio : In the garage

DEBT: About $100,000 in student loans

setback: When his mother died during his last year of art school, Jenkins went through a rough period and stopped paying his student loans

HOW CLOSE TO THE EDGE HE'S living : Teetering. "Our tax lady told us last year that if I don't make enough of a profit this year, art would be considered a hobby and not a business," he says. "Which is what my dad told me when I was going to art school."

DREAM JOB: Full-time college art instructor

REASON FOR HANGING ON: "There’s no place like the Bay Area. It’s almost like we're addicts who can't break the habit."

AN ARTIST IN COLLECTIONS

Because Jenkins is in default on his student loans, his tax refund (around $3,000 in 2014) is wiped out by his creditors. As the "injured spouse"—that's the IRS's unfortunate term for being attached to someone in debt—Jenkins's wife is still entitled to her part of the refund. It's a situation Jenkins daydreams about fixing faster than is feasible. "I have these moments where I'll hear an ad for Santa Clara University—'You can get your CPA certificate!'—and I have this fantasy: I've got a stable job making all this money, paying my debt. Then I flip around and look at myself, completely out of place and unhappy, and I just go back to doing what I'm doing."

Josh Martinez, 33

lives IN: The Mission

day job : Media arts teacher at the Harker School in San Jose 2014 INCOME: $80,856

where hist I'm e GOES: 40-50 hours per week teaching, 10-25 hours per week on art

monthly rent: $1,500 for his share of a two-bedroom with at-home studio

debt: $700-per-month payment on $95,000 in student loans

lucky break: Scored an affordable living situation

HOW CLOSE TO THE EDGE HE'S LIVING: Comfier than paycheck to paycheck, but a costly medical situation would be "a serious problem"

REASON FOR HANGING ON: "I want to be a San Francisco artist. It's not the most fast-paced scene, but the artists here make fascinating things. From the baseball team to the smell of the fog to the intimate gallery community, I love it so much."

Saving grace: Summers off

dream job : Full-time artist

mantra: "I love my day job and my art practice. It feels good to have both."

THE FRAME-IT-YOURSELF ART SHOW After spending 14 months on a series about the feeling of being in a landscape, Martinez showed 13 photos at Chico State University. He was reimbursed $700 for materials, which covered nearly a third of the $2,142 that he spent—including framing, which Martinez did himself. Asked how many hours went into producing the photos, he says, "I don't want to know what that number is." But making art feels different from clocking in: "It's not so much even a want—it's like it has to happen. You can make a lot of allowances for time simply because it feels right." Bonus: In 2015, two photos from the show sold privately for about $2,000, which Martinez netted commission-free.

Favianna Rodriguez, 37

lives in : Oakland

day job : Artist

side job : Founder and executive director of CultureStrike, an art and social justice nonprofit

2014 INCOME: $78,900 (approximately $55,000 from the nonprofit, the remainder from her art business)

WHERE HER TIME GOES: 30 hours per week at her nonprofit, 30 hours per week at her studio

surprising fact: Never finished college

MONTHLY RENT AND mortgage: Rent on Iivein studio: $2,350; mortgage payment on her parents' house: $1,967

debt: Credit card debt of about $20,000

LUCKY BREAK: When she needed money for a down payment to buy her parents' house, fans showered her with $35,000 during a five-day flash art sale

SECRET OF HER SUCCESS: Treats art making like running any other consumer-facing business. In 2015, Rodriguez sold $60,715 worth of art; she invested most of the proceeds back into her art practice.

CAREER PET PEEVE: "I get asked all the time to donate art and do stuff for free."

HOW CLOSE TO THE EDGE SHE'S LIVING: Not paycheck to paycheck, but cutting it closer than she'd like

SAVING GRACE: She has health insurance through her nonprofit

REASON FOR HANGING ON: She grew up here; her entire life is here
MANTRA: "Artists are entrepreneurs."

AN ART PRACTICE THAT SCALES

Rodriguez keeps her studio staffed up. In addition to a full-time assistant, a part-time studio production manager, and extra hourly help when things get busy, she spends $400 to $450 per month on a social media freelancer. The investment pays off: "Whenever he posts a particular art piece, someone will buy it," she says, referring to the prints and posters she sells for less than $100 a pop. "People don't even know it exists until it's on social media. I've spent all this time developing content, and he disseminates it," Rodriguez adds, with all the savvy of a BuzzFeed internal memo.

Lee Lavy, 34

lives in : Berkeley

day job : Full-time art student last spring, then full-time fabricator at Performance Structures, a company that handles all of Anish Kapoor's large-scale stainless steel sculptures 2015 INCOME: $25,861

WHERE HIS TIME GOES: 40 hours per week at work, 20 hours running his art practice

MONTHLY RENT: $500 for a basement bed-bath with access to a kitchen upstairs

DEBT: Makes a $400-permonth payment on $60,000 in undergraduate loans

STUDIO : None. Even an inadequate studio would set him back $400 per month, or the equivalent of his loan payment.

HOW CLOSE TO THE EDGE HE'S LIVING: Feels fortunate to have his current setup

SACRIFICE : Living without his own kitchen

DREAM JOB: Self-supporting artist

REASON FOR HANGING ON: "I feel strongly about staying in the Bay Area. There's a pretty thriving art scene. People have made it work for a long time."

THE POST-MFA COMEDOWN

Lavy is prototyping a suit made entirely of paint, shaped using plaster casts of his body. Because his own apartment is carpeted, he casts in his girlfriend's easier-to- clean tiled kitchen. Without affordable studio space, Lavy is working on a smaller scale than he did in school—see: casting his own body—and making paintings that fit on the desk under his bunk bed.

Nolan Sheehan Jankowski, 26

lives IN: The Mission

day JOB: Full-time art student and teaching assistant at the San Francisco Art Institute (spring only); bike mechanic at Pedal Revolution 2015 INCOME: $24,856

WHERE HIS TIME GOES: In spring 2015, school plus 30 hours per week at the bike shop; since graduating, about 37 hours per week at the shop

MONTHLY RENT: $880 in a share with two roommates

STUDIO : None

DEBT: Payments of roughly $1,000 per month on a balance above $100,000

SAVING grace... Can paydown loans so aggressively because of savings

...TEMPERED BY PAINFUL loss: The cushion comes from selling the Milwaukee-area home of his parents, who died in 2010

how close to the edge he's living : Comfortably uncomfortable. "The savings give me a year or two to get on my feet before I start paying the loans out of my wage."

PERENNIAL QUESTION: "Do I try to make this project work outside of a studio, or do I keep it in the notebook until I have a studio space?"

PERFORMANCE piece THAT NEEDS NO STUDIO: Self-imposed mission to climb every public monument in the city

dream job : Teaching art

REASON FOR HANGING ON: "San Francisco has supported a lot of the artists I've been drawn to."

SENTIMENTAL EDUCATION

Before Jankowski's parents died, when he was 21, he was planning to be a lawyer. Both of his parents had been art teachers, and after they died, he ditched his law school plans, thinking, "What's the point of doing something like that?" Already carrying loans from college, Jankowski borrowed further to enroll at SFAI. Though he could have paid for everything out of the proceeds from selling his childhood home, Jankowski wanted to leave himself a cushion, banking that he could ramp up his income faster than the loan payments would wipe out his savings. Since making the trade-off, he hasn't looked back: "I always felt like using the money from my parents' house is for exactly this."

Read the full article at http://digital.modernluxury.com/article/Playing+CPA+With+MFAs/2465908/299441/article.html.

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